Unidentified Anomalous Phenomena (UAP), formerly known as UFOs, have been visiting earth for decades and the U.S. government knows about it. At least that’s the case made in the recently released documentary “The Age of Disclosure.”
In the 110-minute independently-made doc, director Dan Farah and film’s executive producer, former Pentagon official Luis Elizondo, meticulously lay out evidence to prove that theory.
Farah, a debut feature director, spent three years making “The Age of Disclosure” in secrecy, seeking out sources with direct knowledge of the government’s work around UAPs. While the film could have been dismissed as a conspiracy theory doc, Farah sought to boost credibility by including interviews from over 30 members of the U.S. government. High-ranking politicians from both the Democratic (senator Kirsten Gillibrand) and Republican (secretary of state Marco Rubio) sides, as well as military and intelligence communities, all contend in their interviews that we are not alone in the universe.
The film also includes clips from congressional hearings about UAPs and makes clear that there is major bipartisan support for the proposed UAP Disclosure Act. In fact, Trump or a subsequent president could make a massive impact, Farah says, by disclosing what he says is the truth.
“I think it’s only a matter of time before the release of this film is followed by a sitting president stepping to the podium and telling the world, ‘We’re not alone in the universe,’” the director told Entertainment Weekly. “It’s the most significant moment a leader could possibly have.”
One of the key voices in the film is Jay Stratton, former Defense Intelligence Agency official and director of the government’s UAP Task Force. “I have seen, with my own eyes, non-human craft and non-human beings,” he says in the doc.
Below are eight key extraterrestrial facts put forth in “The Age of Disclosure”:
Otherworldly vehicles
Transmedium crafts — vehicles that have the capability to operate in space, air, and water — defy all that humanity knows about physics, and have been operating with complete impunity around the world since at least the 1940s, according to the documentary.
Multi-national race
Since the 1940s, an ongoing arms race between China, Russia and the U.S. was set off by the discovery of crashed UAPs. Each nation, according to the doc, wants to be the first to crack into extraterrestrial technology to reverse-engineer it for human use. But as defense official Stratton explains in the film, “You can’t tell your friends without telling your enemies.”
FAA involvement
Aviation safety is in jeopardy if the Federal Aviation Administration doesn’t track UAPs, the film concludes. (As of Oct. 22, the FAA requires air traffic control to notify the National Tactical Security Operations and the Air Traffic Security Coordinator team of any pilot reports or air traffic personnel observations of UAP activity.)
Deep, watery cover?
If any intelligence from outside our universe did want to arrive on earth and remain undetected, they would most likely hide out in the deep zone of the ocean, which hasn’t been explored by humans, posits interviews in the doc.
Giant crafts
UAPs the size of football fields that can travel over 30,000 mph are just a few of the types of UAPs — some can travel 40,000 miles per hour, sometimes faster, and go from zero to thousands of miles per hour in less than a second, according to the doc.
Humanoid! Aliens!
In 1989 the Soviet Union recovered four bodies of humanoid aliens — extraterrestrials — from a UAP crash site where they discovered an advanced directed energy weapon.
Uses for good or evil
Similar to artificial intelligence, the film asserts that UAP technology can revolutionize the way we do things – such as provide a clean energy source – or completely destroy everything that we know.
Does he or doesn’t he?
Information about UAPs is on a need-to-know basis. The President of The United States and the head of the CIA might know nothing about UAP intelligence.
“The Age of Disclosure” debuted at SXSW in March, where Variety critic Owen Gleiberman questioned why it doesn’t include more convincing video in this era of pervasive surveillance. “When are we actually going to be shown something that looks like more than a dupe of a dupe of an old video game depicting a blurry black dot of an alien spaceship cruising over water at what looks to be about 300 miles per hour?,” he asked.
The film began its Oscar-qualifying run-in select theaters in New York and Los Angeles and now is available to rent or buy on Amazon Prime Video.
variety.com
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